Adobe Camera Raw for Digital Photographers Only by Rob Sheppard

By Rob Sheppard

Specialist photographer Rob Sheppard explains the main points of digital camera uncooked, the stairs for utilizing it, the workflow procedure, and likely top practices that demonstrates how digicam uncooked can empower the electronic photographer. Encouraging you to take advantage of it as you spot healthy, he explores the improvements within the most modern new release and is helping you take care of RAW's obstacles, deal with white stability and publicity, lessen noise (especially in evening shots,) and discover ways to use digital camera settings that utilize uncooked features.

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This gives you the benefits of both formats — increased flexibility from RAW whenever you need it and the ability to work quickly with JPEG files when that is appropriate. What are RAW Files Really About? qxp 12/13/07 9:44 PM Page 15 When JPEG Works very, very well and helping minimize noise. The very powerful processing capabilities built into the camera (which essentially is processing the RAW file for you) can offer great results when you’re shooting highquality JPEG. It does require you to pay attention to how you work — you have to expose right, choose the white balance correctly, and so forth, as shown here.

You can creatively push and pull the tones of a photo to make it better do what you want. This format also allows you to enlarge or interpolate digital images to a larger size with higher quality because it starts with more information that can be interpreted for enlargement. DO NOT SHORTCHANGE RAW he misconception that RAW is so adaptable that you do not need to worry about exposure or color shortchanges the capabilities of RAW, creates more work for you to do on the computer, and can result in less than the best tonalities and color.

The two areas blend at the middle in a nice gradation of tone. The clear area goes over the dark part of the scene — like the buildings in this image — and the dark area goes over the bright part, the cloud (this doesn’t always perfectly match the scene, but it helps). This brings such tonalities into a range that the sensor can capture. Capture Workflow Figure 2-33 is a very old structure that is part of the seventeenth-century Nijo Castle in Kyoto, Japan. The building has some fascinating detail that needs enough exposure to really show it off.

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