Against the World: A Behind-The-Scenes Look at the Portland by Kerry Eggers, Dwight Jaynes

By Kerry Eggers, Dwight Jaynes

The path Blazers have risen to the top of the basketball global yet have come away simply in need of their target of an NBA championship. The e-book explores why the path Blazers have arise brief and appears on the background that led them to the pinnacle in their

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Extra info for Against the World: A Behind-The-Scenes Look at the Portland Trail Blazers' Chase for the Nba Championship

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M o n ique (Reine Ro man) wistfu lly p i n es fo r the i cy Laurence, who we reahse is actually Nadia, in the e n d o f The Dirty Girls. And Les l i e i n The A lley Cats, o n the heels o f her rejection by her lovers and fiance, conside rs suicide off the balcony o f a chur c h , o n l y to be deterred by the lesbian artist I rena (Sabrina Koch ) . These scenarios i n termi ngle t h e prototypi cal gest u re o f refusa l , spo rted by youth cultures with the literary pretens ions of alienation and psych ic torment .

The logic of the cut, a mark of the censors classification and j udgement as well as of the manipulation of flow, movement and economies of visual desire, defined the cinema of Metzger in both his authored and 'curated' projects. Metzger himself claimed, in allegiance with the marketing angle, 'I'm never going to make a shot that I couldn't use in the trailer. ' This stylistic and conceptual synthesis of the commodity status of the cinema with its new cultural value as art, not only exemplifies the ethos of the sexploitation film, but also speaks to the particular predicament of the American cinema at the crossroads of the granted free speech protection by the 1 952 Miracle 1960s.

Instead it drew its audience from the underground, from a subculture of viewers who were not put off by its peculiar drug-theory blend, or obtuse vocabulary, or pointed socio-economic commentary. IS The film that should have cemented Ferrara's status with both mainstream independent and underground audiences, then, had the reverse effect ofsolidifYing his status as a primarily underground director. But it also expanded his fan base within the underground, extending it beyond the audience for films like and Bad Lieutenant ( 1 992) to the audience for films like Nadja (Michael Almereyda, 1 9 94) the ever-popular Night ofthe Living Dead (George A.

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